![]() ![]() ![]() In 1839, while Liszt continued his travels, Marie took the social risk of returning to Paris with her daughters. Their third child and only son, Daniel, was born on in Venice. With her sister she was left in the care of wet nurses (a common practice at the time), while Liszt and Marie continued to travel in Europe. They named her Francesca Gaetana Cosima, the unusual third name being derived from St Cosmas, a patron saint of physicians and apothecaries it was as “Cosima” that the child became known. Here, on 24 December in a lakeside hotel in Bellagio, a second daughter was born. ![]() Late in 1837, when Marie was heavily pregnant with their second child, the couple were at Como in Italy. In the following two years Liszt and Marie travelled widely in pursuit of his career as a concert pianist. In March 1835 the couple fled Paris for Switzerland ignoring the scandal they left in their wake, they settled in Geneva where, on 18 December, Marie gave birth to a daughter, Blandine-Rachel. Drawn together by their mutual intellectual interests, Marie and Liszt embarked on a passionate relationship. Marie had been married since 1827 to Charles, Comte d’Agoult, and had borne him two daughters, but the union had become sterile. Marie’s antecedents were mixed her German mother, from a prominent Frankfurt banking family, had married a French nobleman, the Comte de Flavigny. In January 1833 the 21-year-old Hungarian pianist and composer Franz Liszt met Marie d’Agoult, a Parisian socialite six years his senior. Thus, although she is widely perceived as the saviour of the festival, her legacy remains controversial. This was a defining feature of Bayreuth for decades, into the Nazi era which closely followed her death in 1930. She shared Wagner’s convictions of German cultural and racial superiority, and under her influence, Bayreuth became increasingly identified with antisemitism. She married him in 1870 after his death in 1883 she directed the Bayreuth Festival for more than 20 years, increasing its repertoire to form the Bayreuth canon of ten operas and establishing the festival as a major event in the world of musical theatre.ĭuring her directorship, Cosima opposed theatrical innovations and adhered closely to Wagner’s original productions of his works, an approach continued by her successors long after her retirement in 1907. Although the marriage produced two children, it was largely a loveless union, and in 1863 Cosima began a relationship with Wagner, who was 24 years her senior. In 1857, after a childhood largely spent under the care of her grandmother and with governesses, Cosima married the conductor Hans von Bulow (1830-1894). Commentators have recognised Cosima as the principal inspiration for Wagner’s later works, particularly Parsifal. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works after his death she devoted the rest of her life to the promotion of his music and philosophy. First meeting Gustav Mahler 13-11-1887, Year 1887 in Leipzig.Ĭosima Wagner (born Francesca Gaetana Cosima Liszt) was the daughter of the Hungarian pianist and composer Franz Liszt.Handed over the direction of the Bayreuth festival to her son Siegfried Wagner (1869-1930). Brothers and sisters: Blandine Liszt, Daniel Liszt, Claire d’Agoult, Louise d’Agoult.Children: Siegfried Wagner (1869-1930), Eva von Bulow, Isolde Beidler, Blandina Elisabeth Veronica von Bulow, Daniela von Bulow.Parents: Marie d’Agoult, Franz Liszt (1811-1886).Buried: 00-00-0000 Villa Wahnfried, Bayreuth, Germany.Hoheluft, 1895-1897 House Gustav Mahler Hamburg – Bismarckstrasse No. 1895-1897 House Gustav Mahler Hamburg – Bismarckstrasse No. Residences: Como, Berlin, Bayreuth ( Villa Wahnfried).
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